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Last  Update
11/06/2011

 

 
 

A DIALOGUE WITH MUSIC

  Let’s take a trip down Whittier Boulevard . . . ¡Arriba! ¡Arriba!”
                                                       "Whittier Boulevard," Thee Midniters
 
 
 
 

The impact of Rock ‘n’ Roll was not only musical; songs and styles often acted as a means of social and economic interchange – between white and black, rich and poor, north and south, men and women, immigrant and native-born.

Unlike other rock traditions, Chicano rock also was a dialogue in two languages, as well as two cultures.  Lalo Guerrero’s musical parodies (“Pancho Lopez,” to the tune of “Davy Crockett”) played on this.  But younger artists in the 50s and 60s rejected their parents’ Mexican and Latin music, finding inspiration in African American and Anglo roots.

 
 



Lalo Guerrero
 

 
 

It was during the late 1950s, 60s and 70s that Chicano Rock ‘n’ Roll found its voice.  This is the music celebrated in “Brown-Eyed Soul,” a recent three-CD set released by Rhino Records.  Music that will provide much of the soundtrack for CHICANO ROCK. It’s a fascinating collection of Chicano originals and reinterpretations of African American and Anglo hits, including . . . 

 “We Belong Together” by Ritchie Valens . . . “La La La La La” by the Blendell’s . . . “Queen of My Heart” by Rene and Ray . . .  “Farmer John” by the Premiers . . . “Hey, Senorita” by The Penquins . . . “My Heart Cries” by the Romancers . . . “Tell Her She’s Lovely” by El Chicano . . . “Together” by Tierra . . . “Pachuko Hop” by The Penquins . . . and of course, “Land of 1000 Dances,” by Cannibal and the Headhunters. 

 
 



Cannibal and the Headhunters
 

 
 

After almost 30 years of musical dialogue, Chicano Rock found common ground with 1990 Grammy Award-winning Los Lobos, the band that created a musical meeting place for rock’s multicultural influences, including our Spanish-language musical heritage.   In 1987 Los Lobos recorded Ritchie Valens’ 1958 hit “La Bamba,” bringing the history of Chicano rock full circle.  But the story of Chicano Rock ‘n’ Roll is far from over.   

Although, like the Latino community itself, the musical tastes of Chicano audiences are both more varied and assimilated, new artists such as Quetzal and Ozomotli are at work.  Chicano rappers like Kid Frost chronicle the community today.  And “oldies” still have their emotional hold.   At the same time, during the 1990s music in the United States took new directions with “Rock en Español,” signaling a significant shift in America’s multifaceted musical identity.  Rock en Español is rock ‘n’ roll created and sung in Spanish.  Performed and appreciated not in Mexico or Latin America, but in the United States. 

As we’ll see, CHICANO ROCK is not only a story of America’s musical past, it will offer hints of our future

 
 

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Ó 2011